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minner bucket records

junior sampled

by Danny Barnes

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Marisa Muldoon
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Marisa Muldoon I can't stop listening to Maintain. First time I heard it was performed with Jeff Austin Band and it was an instant favorite. It is a really great album for zoning out. It's like floating in the ocean past the breaking point, where the waves lift you but submerge you at the same time. Favorite track: maintain.
Sun Shine
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Sun Shine My smile thanks my ears every time I put this record on. Its Grrreat!!
Thanks D.B. (-_-) Favorite track: abraham.
chris mullins
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chris mullins the music keeps on getting better; i love this!
John Burke
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John Burke Some more great stuff Danny! Keep it coming and I'll keep buying. Favorite track: find out what it means.
Jason
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Jason Hey Bandcamp. Let's skip the formalities and have you just start adding all Danny Barnes releases to my collection. I'll pay whatever he's asking every time. Thanks. Favorite track: throwing rocks in a well.
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    barnyard electronics coming at you, high and inside on a 3-2 count. this is the second full album of my music to come out this year [it’s mid june] on minner bucket records. i’ve been feeling particularly inspired in the lab [my term for the permanent minimalist recording studio/research facility that covers my whole house]. this project was made in a software called renoise, a tracker-based DAW [look it up]. in a sense, it’s a giant sampler and you work off of start times and processing, rather than the linear way most DAWs work [which emulate a multi-track tape machine with the horizontal strips of representational waveforms]. renoise actually works vertically! more and more, i really appreciate the workflow of the old MPC types of setup [the basic tool of early hip-hop]. the timing is rock solid. and it’s a very creative workflow. everything is treated as a sample, with all these little chunks of sound and where the precise start times are calculated. in order to increase the grease factor, these numbers are slipped around. renoise is very inexpensive and great. it takes a little getting used to, but you can work really fast once you learn the hotkeys. of course there’s my own bit of lo-fi experimental componentry thusly employed, in regard to the architecture of the music herein. my friends jack boeger, dave matthews, garey shelton, and max brody were very encouraging to me. this record is to be played loud on a good set of headphones while you tune out some rampant injustice. personally i burned it to cassette. my hope is that you have that moment were your mind kinda goes blank and you get lost in the sound and you feel like you are in kind of a dream or a weird movie. baba says don’t sweat the answers it won’t help you anyway. ... more

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released June 19, 2014

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Danny Barnes Port Hadlock Irondale, Washington

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